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Wednesday, November 14, 2012

Shelley Jackson’s Skin Project


ineradicablestain.com

Our culture’s fascination with body art has grown tremendously since it first crept its way into the mainstream. Until recently, tattoos were associated with foreign tribes, and in America, sailors and prisoners. Once considered a taboo subject, today they are common, considered an art form and a means of expression. Their acceptance continues to cultivate, especially among creative types—the same type who might enjoy a good story. Author Shelley Jackson saw the potential among this group. She came up with a project to combine her love for the literary and visual art, to get thousands of people involved and thousands more interested.


Jackson began by writing a 2095-word story titled Skin. However, the way in which she decided to publish this story is what set her apart and made her work so admired. Making a promise that Skin would never be published anywhere but on the skin of her participants, she began the Skin Project. The story is published exclusively in tattoos on the bodies of her volunteers, whom she refers to as her “words.”

How does one become one of Jackson’s words? There is an application process in which those who care to be involved must write a letter to Jackson explaining why they are interested. She has gotten thousands of submissions—many more than the number of words in the story. She reads each submission and chooses her favorites, and mails them their word. Once the participant gets the word tattooed in classic book font (a must), and sends back a form and photograph, they are officially considered a word. Jackson herself has the title word, SKIN, etched into her own wrist.

The mystery surrounding this project is perhaps what makes it so alluring to so many. The truth is that no one but the author will ever know the full story; her words know very little about the story that they are a part of. “Only the death of words effaces them from the text,” Jackson writes on her website. “As words die the story will change; when the last word dies the story will also have died. The author will make every effort to attend the funerals of her words.”



By Rhianna Reinmuth