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Thursday, August 30, 2012

Ella Enchanted: From Page to Screen


“It starts with a fairy bestowing a spell.
This one’s for a baby, named Ella of Frell.”

Sound familiar? If you’ve ever seen Ella Enchanted, you might recognize it as the last lines of the narrator’s opening rhyme. True to his word, the first scene shows Lucinda the fairy giving baby Ella the magical gift of obedience. Gail Carson Levine’s book opens in almost the same way, and that’s pretty much where the similarities end.

Ella Enchanted is one of my favorite books, yet also one of the cheesiest movies I’ve ever seen. I could enjoy it on a superficial level – the scenery was pretty, they had some fun songs, and it was generally a feel-good movie. However, the addition of a rhyming narrator, outrageously colorful costumes, and an unnecessary villain detracted from what was already a good story. In my opinion, the movie and the book might as well not be related. Take away the premise of a girl under an obedience spell, and this could be its own film. Just change the names. It is an extremely loose interpretation. Basically, I’m here to say: Don’t judge a book by its movie. (Also, spoilers below.)


The movie:

imdb.com
Ella Enchanted, starring Anne Hathaway and Hugh Dancy, is a fun romp through fairytale land, but that’s one of the only good things about it. It’s fun. The acting isn’t too bad, yet it’s difficult notNOT to seem ridiculous in a land of singing elves, blue ogres, and a cartoonish villain with a pet snake. Gail Carson Levine’s book is turned into a simplified, gaudily costumed story.

The story centers around Ella, cursed with obedience, and the quest to break her spell. Ella finds that she cannot endure her horrid new stepfamily once stepsister Hattie learns of her obedience and constantly torments her. She goes to find Lucinda, the fairy who cursed her, meeting a lively bunch of characters along the way. Ella befriends an elf named Slannen, runs into ogres who want to eat her, and even attends a giant’s wedding. She also happens to run into Prince Char numerous times. At first, she dislikes him because of his uncle’s policies, but her opinion changes as she gets to know him. They fall in love, yet Ella finds herself in a bad predicament when she is ordered to kill Char at a royal ball. Edgar, Char’s uncle, wants him dead so he can keep the throne – the throne he stole once already by killing his brother, Char’s father. Luckily, Ella breaks the curse just in time, but she’s put in prison while Edgar concocts another scheme to get Char killed. Ella’s new friends manage to release her, allowing her to save Char once and for all by revealing Edgar as the murderer he is. The story ends with Edgar accidentally wearing the poisoned crown, and Ella and Char living happily ever after.

Some of the changes in the film seem to be because it is geared towards kids. This would explain the bright costumes, to an extent. Portraying a nicer version of Ella’s father makes a little more sense. Why would a father in a fun fairytale not love his daughter? The addition of Edgar, Char’s evil uncle, can be seen as giving the story a concrete villain rather than the intangible curse. The fact that he doesn’t even die at the end when he puts a poisoned crown on his head is only more proof that the movie caters to children.

Yet, the book is also a children’s book and Levine had no qualms writing the way she did. I think children can handle greedy fathers and drawn-out romance and understanding internal struggle, so I supported her choices. Personally, it made the story better for me as a child and an adult.

The book:

goodreads.com
Gail Carson Levine’s Ella Enchanted isn’t your average Cinderella story. It isn’t flashy like its movie counterpart, but I think that works in its favor. For one thing, the book follows the fairytale more closely. Ella has a fairy godmother – though she helps emotionally more than magically – and her evil stepfamily plays a larger role than in the movie. In fact, stepsister Hattie is probably the main antagonist besides the curse itself, whereas she doesn’t interact as much with Ella in the film. Furthermore, towards the end of the book, there are three royal balls in which Char is rumored to decide upon a wife. Ella attends them in a magical pumpkin carriage, courtesy of a nicer, reformed Lucinda, and loses a slipper at the last one. This prompts the prince to identify her at her home afterwards despite the fact that she disguises herself in order to avoid marrying and putting him in danger.

Furthermore, characters that have large roles in the movie only appear briefly in the book. For example, Slannen is only in one chapter of the book and he is a green-skinned elvish trader rather than an aspiring lawyer. Elves are also not forced to be entertainers like in the movie (because there’s no Edgar forcing them) and after one night, Ella goes on her merry way and probably never sees him again. In this way, Levine’s book focuses more on Ella herself. The book is mainly about her – her strength, her quest, her perseverance. She has a lot more quirks in the book too. She has a knack for languages and she’s always joking and she’s clumsy, but a hard worker. I felt like I almost knew Ella when I read, a feeling not present when watching the movie.

Her and Char’s relationship is also explored more fully. Rather than the whirlwind romance portrayed in the film, Ella gets to know Char over a long time and actually falls in love with him when he is away in another country for a year on diplomatic duties. They write letters to each other for a year. I can see how that could be difficult to show in a movie, but there were just so many good things in this book that were changed for no logical reason. Other notable unused scenes include: Ella tricking ogres by using their own persuasive language against them, her father trying to marry her off to old rich men, and her and Char flying down stair rails for fun. Even though there are less “action” scenes in the book, the story is fast-paced and complex. The characters are interesting and the plot has just enough style to hold its own while also paying homage to the classic Cinderella.

Conclusion:

Maybe the story of Ella Enchanted is simply better suited for a book. Yes, a lot of the things that made the book good wouldn’t play out well onscreen. But I thought the movie adaptation could have been better had they not changed so much. My recommendation? Think of them as separate entities, and read the book.


Written by Alex Kowal